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Holy Spider poster

Film

Holy Spider

Ankabut-e Moqaddas

Ali Abbasi · Denmark / Germany / France / Sweden · 2022

A female journalist travels to the holy city of Mashhad to investigate a serial killer who has been murdering sex workers, believing he is cleansing the streets of sinners. Based on the true case of Saeed Hanaei, Abbasi's film is both a gripping procedural and a searing portrait of a society in which misogyny is codified into law. Zar Amir Ebrahimi's Cannes-winning performance anchors a film that refuses to look away from complicity, institutional, religious, and personal.

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About

Ali Abbasi's Holy Spider (Tarikkâhi) won Zar Amir Ebrahimi the Best Actress prize at Cannes 2022, Ebrahimi was a noted Iranian actress who had been forced into exile after a private-video harassment campaign in 2008 and had built a continuing French-cinema career since. The film consolidated Abbasi, an Iranian-Danish director after his earlier Border (2018) and his subsequent The Apprentice (2024), as one of the most internationally significant directors of Iranian-diaspora origin.

The film is based on the actual case of Saeed Hanaei, a construction worker in the Iranian holy city of Mashhad who murdered sixteen sex workers between 2000 and 2001 in what he later described as a religious cleansing of the streets. Zar Amir Ebrahimi plays a fictional female journalist who travels to Mashhad to investigate the killings; Mehdi Bajestani plays the killer. The film follows the journalist's procedural work and the broader social-political environment around the case, particularly the popular sympathy the killer received from segments of the Mashhad religious-conservative community after his arrest.

The film was shot in Jordan rather than Iran, with substantial Iranian-diaspora cast and crew working under the assumption that they would not be able to safely return. The production became politically consequential within Iranian-domestic cultural discourse; the Iranian government formally objected to the Cannes recognition. Abbasi's procedural commitment, the film's refusal to romanticise its subject, and Ebrahimi's central performance combined into one of the most-discussed recent works of Iranian-language cinema.

Streaming availability via JustWatch. Last checked 2026-05-31.

Zar Amir Ebrahimi

Zar Amir Ebrahimi

Rahimi

Mehdi Bajestani

Mehdi Bajestani

Saeed

AA

Arash Ashtiani

Sharifi

FJ

Forouzan Jamshidnejad

Fatima

Sina Parvaneh

Sina Parvaneh

Rostami